Tremolo Mastery Part 4
3 simple secrets
SECRET ONE (developing speed)
SECRET TWO (efficiency)
When you finish plucking a string, get the next finger on the string as quickly as possible ready for the
next stroke but DON’T PLAY IT. Just
STOP and feel the entire hand “#ff0000”>RELAX. Your finger should feel a definite contact before you play
each time. The fairy wave tremolo style I mentioned in Part 1 consists of a single “three
finger sweep” across the strings. That is only one muscular action. When you stop each time to
relax you are breaking it up into 3 distinct muscular actions. That’s what we want. Give the brain a
chance to absorb what is happening so it can repeat the process at any speed. This training is all
about developing instinct that can be called upon at any time, at any speed. It’s called bio
feedback. You will not have to do this slow practice forever, just in the critical training period.
It’s also a good idea to periodically revisit very slow practice as your technique improves. I still
do it for techniques that need improving.
SECRET THREE (accuracy)
“Oh! Damn you. What’s all this practice slow business? I want to play really fast
and impress my girl friend. And I want it NOW.”
Fine. Go right ahead. Practice as fast as you want. But let me remind you of the story of “The Tortoise and
the Hare.” If I was monitoring your practice methods on a daily basis, I would be willing to give you a
gold plated guarantee that you will learn to play faster and more accurately in a shorter time if you only
practice slowly, and nothing else. Accuracy is all about training the fingers to synchronize with the
brain. The brain thinks faster than the fingers. But if the fingers can learn to work in synch with the
brain a slow speeds, they can work equally well at any speed. The thing is this will not happen overnight
so don’t expect it to. It takes time. You will see results within a week and it will start to become
reliable within 30 days if practiced daily.
In the next room there might be the “crazy fingers” type of guitar opportunist who thinks he can get where
he is going by practicing everything at the desired target speed. You will be able to hear him make many
mistakes, cursing the guitar and complaining of sore fingers. All I can say is let him waste his time
because he’s going nowhere. This sort of aimless practice will guarantee a fast track
introduction to the guitar equivalent of the glass ceiling. No matter how hard our “crazy fingers”
friend works at reaching guitar hero status, he just cannot get past the speed barrier….. near the
lower end of his speed requirements. He may blame this lack of progress on whatever or whomever you wants,
but the real demon that impedes him is ultimately his failure to practice in a disciplined way (read
If you practice fast all you are learning to do is how to tense up. Worse still is any mistakes you
repeat are compounded as instinctive habits which will be very hard to correct later. The ego and desire
says, “Play fast.” The brain says, “OK. Fine. I’ll see what I can do.” The brain has no problem with speed
and wants the fingers to move fast. The fingers will try heroically to respond to the brain’s commands in
accordance with the express wishes of the ego’s immediate desires.
The downside of instant gratification VS disciplined training is this. Just as an amateur sprinter will
learn the meaning of failure if he thinks he can win a marathon against trained marathon runners, Mr.
“crazy fingers” will also fail as surely as the sun rises in the east. Untrained fingers will soon discover
technical barriers, not least of which is speed, beyond which they can not pass. What happens is the
fingers get progressively more tense and eventually freeze up the faster they try to move beyond “the
wall”. Like I said, go right ahead and practice like our “crazy fingers” friend if you wish and discover
these things for yourself. Don’t worry about the resulting muscular tension and pain, there are plenty of
creams and lotions you can buy at the chemist to help you with your early onset arthritis.
If you think I am just repeating some theory I read in a book, I’m not. I locked myself away for 18 months
once because I was determined to undo the damage I did through all the years of practicing fast and getting
nowhere. I know all this because I’m talking from personal experience. It’s worth repeating again.
DON’T PRACTICE FAST. I’ve been there and done that and I can
tell you it’s a total waste of time.
Slow practice is only half the story.
It’s a good idea to split your practice time into two parts. The first part is when you practice
difficult techniques slowly and also when you study new material. The second part is when you play your
learned pieces at a normal performance speed. If you find yourself too many mistakes, then slow it down to
a speed where you can play it accurately with no mistakes. This may be pretty slow at first, but as
technique improves you can speed it up to match the improvement until you meet your desired target tempo.
It’s not rocket science. Just relax and enjoy the journey and don’t forget to actually play some music.
Floating. A simple tremolo study
A study piece for developing 4 stoke flamenco tremolo technique. The video shows Pmami pattern but it can also be practiced using Piami or Pami.